|
Jacques Isnardon (15 February 1860 - 14 November 1930) was a French bass-baritone, writer and voice teacher. After winning a competition at the Paris Conservatory, he made his debut as Baxter in Émile Paladilhe's ''Diane'' at the Opéra-Comique in 1885,〔(in an 1891 letter ) Isnardon gives the year 1884 as well as the role name.〕 before moving to Brussels and the ''Théâtre Royal de la Monnaie'', whose history he chronicled. He sang in ''Die Meistersinger'' at Covent Garden, ''Manon'' at La Scala and ''Le médecin malgré lui'' at Monte Carlo before returning to the Opéra-Comique in 1894. His ''Le Chant Théâtral'' is as much a memoir of his times as a philosophy of vocal pedagogy: "Herein is but one method: the new method for each pupil".〔p. 12〕 He sang in the world premieres of ''Jocelyn'' and ''Le chevalier d'Harmental''; other roles included Mozart's Bartolo and Rossini's Basilio; Puccini's Colline and Leoncavallo's Schaunard; Masetto, Lescaut, Enrico & at various times 5 roles (Mercutio, Paris, Gregorio, Laurent and the Duke) from ''Roméo et Juliette''. ==Writings== *''Le Theatre De La Monnaie Depuis Sa Fondation Jusqu'a Nos Jours'' (1890, reissued Kessinger 2010) *''(Le Chant Théâtral )'' (1911, reissued by Nabu Press 2010; preface by Reynaldo Hahn) 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Jacques Isnardon」の詳細全文を読む スポンサード リンク
|